In as·phyx·i·a, a new collaborative effort and experimental film by Maria Takeuchi with Frederico Phillips, dancer Shiho Tanaka transforms into an evolving, pulsating cloud of 3D data. “The performance is centered in an eloquent choreography that stresses the desire to be expressive without bounds,” its creators explain.
Using motion data and dynamic simulations, Takeuchi and Phillips re-envision Tanaka’s body as a wobbling mass of points and line segments between them. Inside an environment specially-created for the film, a single, white spotlight follows her movements, casting a shadow on the ground beneath her abstracted figure. Set to an original soundtrack also created by Takeuchi, the result is an abstraction that is at once as fluid as it is writhing and roaring with information.
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