PJ Harvey – Let England Shake

PJ Harvey - Let England Shake (album cover)To commemorate the 2011 International Day of Peace, I thought it would be a nice idea to create a playlist that features all the songs of PJ Harvey‘s latest album Let England Shake. Its theme is war, so that makes it quite apposite for this day.

The album has generally garnered critical acclaim as well as PJ Harvey’s second Mercury Prize. Recorded in a 19th Century church in Dorset with long time collaborator Flood who co-produced the album with PJ Harvey, John Parish and Mick Harvey. Let England Shake was also mixed by Flood.

It was also accompanied by twelve videos for all the songs which were made by photographer and filmmaker Seamus Murphy. The playlist below contains all those videos in the order in which the songs appear on the album.

The songs are, in order (the links open up the lyrics for each song from pjharvey.net):

Let England Shake
The Last Living Rose
The Glorious Land
The Words That Maketh Murder
All And Everyone
On Battleship Hill
England
In The Dark Places
Bitter Branches
Hanging In The Wire
Written On The Forehead
The Colour Of The Earth

The titles in bold above were released as singles and contained the ‘B-sides’ The Nightingale and The Guns Called Me Back Again respectively.

More: Interview video (The Guardian)

William Ayliffe: Why We See What We Do

William Ayliffe (Gresh College)Via Gresham College/Fora.tv:

The visual system has developed to allow us to navigate in a complex and dangerous world in order to find food and to avoid danger.

This survival system works by building a complex three-dimensional model based on two-dimensional data from the retina.

This model is tested against “reality” and checked with information from other senses and updated if needed. The brain suppresses the complexity of this processing and we believe that vision is instantaneous, real and effortless.

But is seeing just an illusion?

This is a part of Professor William Ayliffe‘s 2010/2011 series of lectures as Gresham Professor of Physics. The other lectures in this series include:

Use the first link in this post to get a transcript or slideshow of the video below, or to download the video or an audio-only version instead.


Length: ~55 minutes.

Also check out the BBC Horizon episode Is Seeing Believing? on YouTube.

Birdsong and Music

David Matthews (Gresham College)Via Gresham College, a lecture by David Matthews:

Many composers have been influenced by birdsong. Mozart treasured the songs of his pet starling, even giving the bird a ceremonial funeral.

David Matthews, one of Britain’s leading composers, has always been interested in the incorporation of the natural world into his music, recently even including birdsong in some recent compositions.

This lecture offers an opportunity for reflection on the relations between music and the natural world and how a composer can be brought closer to one through the other and vice versa.


Length: 53 minutes 56 seconds

Thelonious Monk: Straight , No Chaser

A documentary film about the life of pianist and jazz great Thelonious Monk. Features live performances by Monk and his band, and interviews with friends and family about the offbeat genius.

Thelonious Monk SNCThe story behind ‘Straight, No Chaser’ began in West Germany in 1967 and ended more than two decades later in Kansas City, Hollywood and New York.

It had its beginnings in 1967, when the film-maker Michael Blackwood was commissioned by West German Television to make a film about Thelonious Monk. Over a six-month period of time that stretched into 1968, Michael and his brother Christian Blackwood, acting as cinematographer and co-director, followed Monk around, capturing him on and offstage, in the studio and on the road, at work and at rest in New York, Atlanta and several European cities.

In total, fourteen hours of film was shot and edited by the Blackwoods down to a film that was broadcast only once in Germany and never again anywhere else. From time to time, talk would surface in the jazz community about the existence of this precious footage, often described as ‘the Dead Sea Scrolls of Jazz’.

In 1981 the Blackwoods, joined with director Zwerin and producer Ricker, planned on turning all this material into a film. But they had to wait until 1987 for their (financial) breakthrough. Clint Eastwood, a lifelong jazz fan, was producing and directing the movie ‘Bird’ about Charlie Parker and heard about this project.

After viewing the samples, he was prepared to step in as executive producer, arranging for the financing to complete and for its eventual release through Warner Bros in the summer of 1988.